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Entries in Irene Latham (3)


Irene Latham's WILD Blogiversary Roundup: "To the Waters and the Wild"

I'm happy to be participating in Irene Latham's WILD Ten Year Blogiversary Roundup!

On November 9, 2015 Irene is celebrating ten years of blogging at Live Your Poem!

Congratulations, Irene!

Each year Irene chooses a word that she looks for and uses in her writing and her work. Irene's 2015 word is WILD. 

To celebrate Irene’s wild theme, I chose an excerpt from the poem The Stolen Child by William Butler Yeats. "Come away, O human child! To the waters and the wild..." These lines from the faerie point of view are captivating and haunting - thank goodness we don't have to worry about faeries coaxing children away to the wild in real life. Although this poem is set in Yeats's home country of Ireland, I decided to go a little wild and pair these lines with my own photo of a late spring sunset on the water near my Florida home. If you'd like to read the entire poem, you can find it at Poets.org.

Thank you, Irene, for inviting me to participate in your celebration. If you'd like to visit Irene's blog and see how many of her other blogging friends are wildly cheering, click on Irene's beautiful wild roundup poster above.

Thanks for stopping by. I hope you enjoy. 


2015 Progressive Poem - Day 23 is here!

Greetings! I've been followng along this month as the poets have been sharing this writing project and what an interesting, twisting journey this year's poem is on. Yesterday was Pat's turn at Writer on a Horse and today it's my turn to contribute a line to Irene Latham's 2015 Progressive poem. 

How I arrived at my line:

After Pat’s riveting, “hidden sentries,” and “bitter taste of impulse” rushing into the fisherman’s lungs, my first thought was that this guy is in grave danger - he has to fight, breathe. But then I watched (of all things) the new Pandora jewelry Mother’s Day ad – the one where blindfolded children seek their own mothers from a line-up. Whether or not you appreciate the ad is a question for another venue – what struck me was that the children were using senses other than sight to connect with a close family member. And it started me thinking…What if? What if, in this danger, the fisherman’s senses become heightened? Since he’s been restrained, what if the girl comes back to help him? What if she can communicate with him through nothing more than the swish of her tail? What if the sentries weren’t out to harm him, but willing to help if only he would be calm? And my lines came into focus. Here they are:

Her flipper flutters his weathered toes

–      Pearl’s signal –

Stop struggling.

The Sentinels will escort you

I decided to leave my line open-ended for Tricia to guide where she believes the poem needs to go. 

Since this is a free verse narrative poem, I also decided to format it so that the organization of the words on the page compliment the meaning. Seeing it this way helped me focus on specific details and lively actions and phrases that help tell the story, and helped me choose my lines. Maybe the format will be different tomorrow when Tricia takes over, but for today I am enjoying the look of our poem along with the words and their meaning.

Here is the poem to date with my line at the bottom:


She lives without a net,

walking along the alluvium of the delta.

Shoes swing over her shoulder,

on her bare feet stick

jeweled flecks of dark mica.

Hands faster than fish swing

at the ends of bare brown arms.

Her hair flows,


in wild wind

as she digs

in the indigo varnished handbag,

pulls out her grandmother’s oval

cuffed bracelet,
 strokes the turquoise stones, and steps

through the curved doorway.







hair first





She                  glides               past                 glossy              water

hyacinth to shimmer with a school of shad,

listens to the ibises

roosting in the trees

of the cypress swamp

an echo

of Grandmother’s words, still fresh

in her windswept memory;

“Born from the oyster,

expect the pearl.

Reach for the rainbow

reflection on the smallest dewdrop.


The surface glistens, a shadow


above her head, a paddle


she reaches, seizes. She’s electric energy

and turquoise eyes.

Lifted high, she gulps strange air – stares

clearly into
 Green pirogue, crawfish trap, startled

fisherman with turquoise eyes, twins

of her own, riveted on her wrist–

She’s swifter than a dolphin,

slipping away,

leaving him only

a handful

of memories

of his own

grandmother’s counsel:

“Watch for her.

You’ll have but one chance


to decide. Garner wisdom from the water

and from the pearl

of the past.”


In a quicksilver flash,

an arc of resolution, he


into the shimmering water

where hidden sentries restrain  

any pursuit and the bitter taste

of impulse rushes

into his lungs.

Her flipper flutters his weathered toes

–      Pearl’s signal –

Stop struggling.

The Sentinels will escort you


I'll look forward to tomorrow, when Tricia at The Miss Rumphius Effect adds her line. 

Thank you, Irene, for such a fun project to contribute to during National Poetry Month, and to the poets who go where the words take them! 

This week's Poetry Friday is being celebrated tomorrow with Renee LaTulippe at No Water River.

Thanks for stopping by!


2014 Kidlitosphere Progressive Poem: Day 15


Welcome! I'm honored to be a participant in Irene Latham's 2014 Kidlitosphere Progressive Poem. Irene has gathered thirty children's poets and we are writing a poem together as part of the National Poetry Month celebration. Each day our poem grows by one line. I've been enthusiastically reading along since the beginning and today it's my turn!

Before I committed to my line, I considered several possibilities based on the first stanza which sets up a journey, and the second stanza which begins with a call to action for what is needed for this journey. So much rich detail to consider! I am also intrigued by the many animals that are appearing here. At first, I took tactical and practical literally and planned to send our traveler some useful basics...but this poem has an other-worldly quality, I think, (wings, dreams, inner sage, honeyed whisper, tattered maps!) and so I decided to add something that I hope might be useful when traveling, as Matt suggests, "in realms far far away."  

Here you go - the first fourteen lines of the 2014 PROGRESSIVE POEM, plus mine for the 15th:  



Sitting on a rock, airing out my feelings to the universe

Acting like a peacock, only making matters that much worse;

Should I trumpet like an elephant emoting to the moon,

Or just ignore the warnings written in the rune?

Those stars can’t seal my future; it’s not inscribed in stone. 

The possibilities are endless! Who could have known?

Gathering courage, spiral like an eagle after prey

Then gird my wings for whirlwind gales in realms far, far away.


But, hold it! Let's get practical! What's needed before I go?

Time to be tactical— I'll ask my friends what I should stow.

And in one breath, a honeyed word whispered low— dreams — 

Whose voice? I turned to see. I was shocked. Irene's

“Each voyage starts with tattered maps; your dreams dance on this page.

Determine these dreams—then breathe them!  Engage your inner sage."

The merry hen said, “Take my sapphire eggs to charm your host.”



Thank you, Irene, and Progressive Poetry Poets; what fun! Okay, take it away tomorrow Robyn Hood Black at Life on the Deckle Edge!

If you would like to continue following along, the full roster of poets and their websites are listed on this page to the right. Have fun, and Happy National Poetry Month!